Wes Anderson’s latest undertaking, “The French Dispatch,” is—if nothing else—charismatic. Doing what he does best, the filmmaker and writer effortlessly blends striking visuals with maniacal humor in one of 2021’s most anticipated films, which premiered at the Cannes Film Festival July 12 and released to major cities Oct. 22 after a yearlong delay because of the COVID-19 pandemic. 

Though the story is mostly about the failures of their relationship, Clementine is a subtle pawn of the Manic Pixie Dream Girl trope, the type of unrealistic female character created by men who displays no serious emotions or dynamic interests other than changing her usually boyfriend’s perspective on life. 

'One Child Nation’ takes an emotional and uncensored look at how the one child policy affected rural southern China.