In a time where over-embellished, C.G.I., family-friendly big-studio flicks dominate the animation industry, The Breadwinner proves to be a film that refrains from sensory overstimulation to highlight its focus on politically-charged storytelling. From Irish animation studio Cartoon Saloon (known for other acclaimed films such as The Secret of Kells (2009) and Song of the Sea (2014) and executively-produced by famed actress and humanitarian Angelina Jolie, the film has been praised for its maturity towards its subject matter and its visually captivating storytelling. Earning itself a nomination for “Best Animated Feature Film” at the upcoming Academy Awards, The Breadwinner, although a lesser-known film compared to its repertoire of competitors, is worth a watch.
Alongside the main plotline, the movie also focuses on the fantasy Parvana and her father concoct within the first few minutes of the show. Trademarked by flat, colorful, paper cut-out animation reminiscent of a children’s book, their fable about a brave prince sent on a quest to confront the evil Elephant King and its fleet of red-eyed jaguars to retrieve his village’s stolen seeds comforts the cast and audience. Serving as a coping mechanism and “bedtime story,” the fable juxtaposes the bleakness of the film. The relationship between the two plots proves to be one of the movie’s stronger elements, capturing the symbiotic relationship between children and their imagination through shared time on the screen. However, as the reality of incoming war looms overhead–shown by an increasing amount of red-colored imagery and shots of war-machinery–Parvana’s family situation becomes increasingly desperate.
In fact, the author of The Breadwinner novels, Deborah Ellis, spent months at Pakistani refugee camps interviewing women and girls, using their experiences as the basis for her plot. Through Parvana, the movie highlights oppressive rules women under Taliban law currently face, including restrictions on access to education, freedom of thought and speech and appearances in public. Unlike other animated films, The Breadwinner refuses to shy away from reflecting the desolation experienced by current Afghans, showing blood, guns and beatings by the aforementioned Taliban regime. A peek at the movie’s official website only furthers this political commentary, with resources that delve into Afghanistan’s tragic history and the parallels between the fictional narrative and real life.
Parvana’s story, in particular, demonstrates the practice of the bacha posh, a Dari term meaning “dressed up as a boy”, who disguise themselves as boys. Taking up male responsibilities, Parvana and fellow bacha posh become the “breadwinners” of the family, protecting and representing their fellow kin. After Parvana’s transformation, the bleak tone of the movie transforms as she discovers her new freedoms as a boy. Shown by the dramatic transition from dull color schemes to warm and saturated hues, Parvana has a newfound confidence in her male disguise. Finding refuge in a fellow bacha posh, Shauzia (Soma Bhatia), the two wander about the market square taking odd jobs to support their varying dreams.
Despite its label as a child’s film, The Breadwinner is as provocative as it is adventurous and compelling. Parvana and her fantastical side-story demonstrate the important relationship between children and their imagination, particularly the solace storytelling and fictional lands can bring during times of great distress. More importantly, the film showcases the strenuous lives many displaced Afghan families have experienced through a cast even the most ignorant audiences can connect to.
Aside from occasional plot holes and uneven storytelling, the film makes up for its flaws through delicate and charming animation. Although not as child-friendly and cheesy as most of the more recent animated films, it’s definitely one of the more impactful and rewarding ones to grace the silver screens.
What did you think of the movie? Let us know down below!
‘The Breadwinner’ illustrates bravery under Taliban rule
February 5, 2018
Parvana and her father comfort each other in ‘The Breadwinner’.
Fast facts: Creators of the film credit traditional Afghan storytelling as their inspiration of including Parvana’s fable about the brave prince. Source: “The Breadwinner”
Fast facts: As of 2008, 35% of the 5.4 million children enrolled in Afghan schools were girls. However, the Taliban remained strongly against female education, carrying out attacks on schools including acid attacks on girls. Source: The Breadwinner
Fast facts: Despite being overshadowed by larger production companies, Cartoon Saloon’s The Breadwinner earned the accolade for “Best Animated Feature–Independent” at the 2018 Annie Awards, an American celebration of accomplishments in animation. Source: Variety
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Rachael Erickson • Feb 5, 2018 at 4:54 pm
This looks like a fantastic film, I hadn’t heard of it until now!